BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Palaner//palaner Single Event//EN
METHOD:PUBLISH
CALSCALE:GREGORIAN
BEGIN:VEVENT
UID:meetup-9344d1668e@palaner.app
DTSTAMP:20260802T151307Z
DTSTART:20260822T220000Z
DTEND:20260823T000000Z
SUMMARY:Paris in Ruins: Love\, War\, and the Birth of Impressionism
LOCATION:Draught House Pub & Brewery
DESCRIPTION:Saved in Palaner as: saved\n\nPalaner match: 30% · why: lots of
  people going\n\nJoin us over food and drinks to discuss the book\, “Paris
  in Ruins: Love\, War\, and the Birth of Impressionism.”\nDescription of b
 ook:\nFrom the summer of 1870 to the spring of 1871\, famously dubbed the 
 “Terrible Year” by Victor Hugo\, Paris and its people were besieged\, star
 ved\, and forced into surrender by Germans―then imperiled again as radical
  republicans established a breakaway Commune\, ultimately crushed by the F
 rench Army after bloody street battles and the burning of central Paris. A
 s renowned art critic Sebastian Smee shows\, it was against the backdrop o
 f these tumultuous times that the Impressionist movement was born―in respo
 nse to violence\, civil war\, and political intrigue. In stirring and exce
 ptionally vivid prose\, Smee tells the story of those dramatic days throug
 h the eyes of great figures of Impressionism. Édouard Manet\, Berthe Moris
 ot\, and Edgar Degas were trapped in Paris during the siege and deeply enm
 eshed in its politics. Others\, including Pierre-August Renoir and Frédéri
 c Bazille\, joined regiments outside of the capital\, while Claude Monet a
 nd Camille Pissarro fled the country just in time. In the aftermath\, thes
 e artists developed a newfound sense of the fragility of life. That feelin
 g for transience―reflected in Impressionism’s emphasis on fugitive light\,
  shifting seasons\, glimpsed street scenes\, and the impermanence of all t
 hings―became the movement’s great contribution to the history of art. At t
 he heart of it all is a love story\; that of Manet\, by all accounts the f
 ather of Impressionism\, and Morisot\, the only woman to play a central ro
 le in the movement from the start. Smee poignantly depicts their complex r
 elationship\, their tangled effect on each other\, and their great legacy\
 , while bringing overdue attention to the woman at the heart of Impression
 ism. Incisive and absorbing\, Paris in Ruins captures the shifting passion
 s and politics of the art world\, revealing how the pressures of the siege
  and the chaos of the Commune had a profound impact on modern art\, and ho
 w artistic genius can emerge from darkness and catastrophe.\nA New York Ti
 mes Book Review Editors' Choice • A Washington Post Notable Nonfiction Boo
 k of 2024 • A Kirkus Reviews Best Book of 2024 • One of The Boston Globe's
  “20 Books We Can’t Wait to Read This Fall” • A Next Big Idea Club “Must-R
 ead Book for September 2024”\nThe Pulitzer Prize–winning art critic’s grip
 ping account of the “Terrible Year” in Paris and its monumental impact on 
 the rise of Impressionism.\nLecture with author:\nhttps://www.youtube.com/
 watch?v=cPUe1CqCA8k\nhttps://www.youtube.com/watch?v=cOI2BHYnC2k\nLook for
  the group with lights and a sign.
URL:https://www.meetup.com/history-matters/events/315151348/
CATEGORIES:palaner,saved
STATUS:TENTATIVE
END:VEVENT
END:VCALENDAR
